This is a lyric from a short Pomplamoose song. A jingle, really. It seemed perfect for a little 30 second commercial for an airline. Really fun, cute stuff from Nataly Dawn’s collaboration with Jack Conte. Check out the YouTube video below to see why I think they’re so great. The jingle is at the end of the video after the song “Another Day”
So this is a pretty common effect, but it’s easy to master, and works beautifully in Inkscape. Thanks again to the crew on Monday night at Princeton Public Library who came for the fourth installment in the Inkscape Workshop series. To make this image above, do the following:
Using the ellipse tool, create a circle and make it red.
Select and duplicate (ctrl-d) the red circle, make it gray, and send it beneath the first circle using “lower selection to bottom” button in the selection tool’s options bar.
select and duplicate the red circle again, and make it white, then send it above the red circle using “raise selection to top” button in the selection tool’s options bar.
Using the same method, duplicate the white circle and make it orange. Then, move the orange circle so that it’s bottom is at the white circle’s center.
At this point, make all of the circles into paths by selecting all objects (ctrl-a) then making selected objects into paths (ctrl-shift-c).
Select the white and orange circles, using shift-click.
With those two circles selected, use the path/intersection operation. You will have a football shape in white remaining.
With the football shape selected, perform three path/inset operations.
Move the football shape over the red shape. move the gray shape a bit below the red shape.
Using the fill and stroke dialog, apply a blur of 1 or 2 to the gray shape.
Select the white football shape. Using the gradient tool, apply a full white to fully translucent white gradient to the white football shape by clicking and dragging the gradient tool from the middle top of the football shape to just below the football shape. You can play with the gradient to make it just right.
For fun, create a yellow start with the star tool. Place it between the white football shape and the red circle using the raise/lower tools.
That’s it. You can apply the effect to almost any shape as long as you use the instructions set out here.
A girl's face made of out text by John LeMasney via 365sketches.org #Inkscape #cc #typography #design
A girl’s face made of out text by John LeMasney via 365sketches.org #Inkscape #cc #typography #design
This was an in-workshop creation for the Inkscape series at Princeton Public Library. We went and found an image of a young woman on Inkscape, and then I showed how to use the pencil tool to use text as a brush in Inkscape. Here are the steps involved:
Import a picture with good contrast, of a highly recognizable face or other object. Contrast is key.
Using Path/bitmap trace, create a vectorized version of the image and discard or set aside the original photograph.
Choose a 50% gray for the bitmap traced vector in your palette and apply it.
Type three words using the text tool. I think it’s interesting to use words that represent your subject. For this girl, the attendees chose innocent, young, and pensive. Each piece of text should be about half the size of the earlier piece; Innocent is 100 pt, Young is 50 pt, and pensive is 25 pt, for instance.
For each string of text, separately, convert the text to path (shift-ctrl-c), ungroup the resulting paths (ctrl-u), then combine the paths into a single path (ctrl-k).
Select your first, largest word (now a path), and copy the path to the clipboard (ctrl-c)
select the pencil tool set to Spiro paths, 51% smoothing, and shape: from clipboard.
test your pencil to the side of your page. You should now be painting with text.
Now, working first with the largest piece of text, paint until you have covered the largest areas of gray in your image. You are essentially tracing and filling the image with the widest strokes first. Avoid the smaller areas as the large brush will be clumsy for that purpose.
Copy your next word (path) and move back to your pencil to fill in finer details, being aware of the limits of the amount of detail that you can fit in with this size brush.
Finally, copy the smallest word and use the pencil to fill in the finest details. When text covers all of the gray, you are finished your painting work.
Select the gray bitmap traced image and move it off of your page, as it is no longer needed.
Feel free to add a rectangle behind the image for background color, and to apply color to your text strokes you’ve applied. It helps to make the background a lighter color and the foreground marks you’ve made with the pencil a darker color. The more contrast, the better. In fact, black on white is a fine combination.
Extra points if you grab a fabulous color combination from colourlovers.com as the basis for your color scheme. I searched for the keyword innocent to find the palette I used in this sketch. Look for the preview image link on the palette page and download and import the image into Inkscape. Then select the part of the image you wish to apply the color to and use the dropper tool to apply the palette’s colors.
Special thanks to workshop attendees for their inspiration in creating this sketch, and to you for stopping by!
Here are my first and last initials brought together in a monogram I’ve used for a while. Inkscape makes quick work of it with a grid and the spiro path effect. Hope you enjoy it.
Long story short, I felt like drawing a puppy. I’m a cat person myself, but people love their dogs, and I like drawing things people love. I tried to capture the energy of a puppy, and I like what I came up with. Plus, I wanted to play with the tweener exclamation ZOMG. Hope you liked it!
On Work and suffering by John LeMasney via lemasney.com
On Work and suffering by John LeMasney via lemasney.com
I don’t have a lot to say about this sketch’s message other than it’s true for me. I’ve had maybe 50 jobs in my life, and my own best advice I can give you is to find out what job is hell for you personally, and then move away from that job in your employment choices until you find the job that gives you personally definable joy. I’ve had jobs that made me feel worthless or directionless. I’ve had jobs that have made me cry at lunchtime. I’ve had jobs where I was closely scrutinized in order to emphasize and advertise my weaknesses. I’m not saying to seek out a job where there is no work to do, or a dream job of some sort (pro basketball player, stadium rocker, etc.) but rather a job that gives you a sense of daily efficacy, pays your bills and gives you enough extra money to save and entertain, and one that gives you spots of achievement and growth over time. I personally believe that kind of job is a beneficial balance of work and life, and certainly isn’t a definition of suffering.