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54 of 365: That thing gives me the creeps by John LeMasney via lemasney.com

54 of 365 That thing gives me the creeps by John LeMasney via lemasney.com
54 of 365 That thing gives me the creeps by John LeMasney via lemasney.com

I was recently on a chat with a friend, and she explained that she really loved this breed of dog that has abundant wrinkles, very short legs, and clipped ears. The name of the breed escapes me, but my reaction was “that thing gives me the creeps”. I paused for a moment and thought about how odd that phrase is, which is usually a trigger for me to illustrate it. I pictured a 1970’s style treatment, dark, and playful.

In Inkscape, I placed the text, and applied the font Ballpark, a staple of my illustrations. I skewed the lines up and to the right. I duplicated and applied an outset to the duplicate, twice. Each time moving the outset shape backwards. I imported a lovely foggy image of red trees in summer morning, and used those colors for the palette.

I picture it being used in social media threads in which one person shares an image or idea that is full of creepiness, and someone shares my illustration as a response.

 

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46 of 365: Factor of Safety design principle (Belt and Suspenders)

46 of 365 - factor of safety design principle (belt and suspenders) by John LeMasney via lemasney.com
46 of 365 – factor of safety design principle (belt and suspenders) by John LeMasney via lemasney.com

Factor of safety is about preparing for unknown flaws in a design, even though the issue may never arise. In the interest of preventing system failure, a designer can make more safety elements than are necessary. In general, it is the act of adding more elements than are strictly necessary in a design to prepare for situations that may or may not happen. In graphic design, you might add restatements of an idea to make more sure of the delivery of the message. In structural design, you might add more beams to the underlying structure. In urban design, more roads and parking, and so on.

I decided to illustrate the most common expression of the factor of safety that I can think of: “belt and suspenders”. In other words, you might say “belt and suspenders” in response to someone bringing a USB key with their materials to a presentation even though the materials available online. In the event that Internet access is down (e.g. the belt breaks) you’d still be able to present via USB (e.g. suspenders).

 

 

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45 of 365: On the effortless work: Minimalism design principle

45 of 365 - minimalism design principle by John LeMasney via lemasney.com
45 of 365 – minimalism design principle by John LeMasney via lemasney.com

One of the most lovely things that I have enjoyed as a part of my design and consulting practice is the ability to stay fairly stress free in the effort. Because of the flexibility afforded by consulting, I am able to step back, look at the entire spectrum of the work, and let it flow. There is a certain kind of joy in doing work that you are good at, enjoy doing, and are compensated well for. I have been lucky enough to have a few jobs like this, mostly longer term positions, and the reasons that I left had more to do with leadership, staff, or situational variables. Never the work. The work is joy. The work is the light of the day. The work is the thing.

In this illustration of the idea, I wanted to focus on a minimalism approach, one in which there is just what is called for and nothing else. I illustrated a quote from the Tao te Ching (the book of the way): Act without doing; Work without effort. It speaks to me as an ideal of work: work that is not work at all.

 

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40 of 365: Ampersand Greater Than modified typography

Today, I decided to use Inkscape to play with type. When you type less than three (<3), you are expressing an emoticon for love, symbolized by a heart. It’s a straightforward, easy-to-use symbol. Two close friends or sweethearts might use it in SMS to express a little love.

Ampersand Greater Than (&>)

Melissa Brisbin and I have used an alternative to less than three to express not only that we are good friends, but that we exchange and share value in technology, libraries, and related interests.  Ampersand greater than (&>) resembles a heart too, but indicates a togetherness, a bond. When we type it to each other, it’s a little reminder of our history. In honor of her birthday yesterday, I decided to work on the ampersand greater than as a typography muse.

I started by going through my font catalog and pulling out all the fonts that had interesting ampersand and greater than symbols.

40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com
40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com

Then I began pulling out the best combinations, angling the symbols, pulling them together into a single flowing shape.

40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com
40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com

Finally, I went back in and tweaked the finest points of the combinations. This was my result: nearly the final set.

40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com
40 of 365: Ampersand Greater Than Font Study by John LeMasney via lemasney.com

And today, I decided to add some color, along with final tweaks to the pieces.

Ampersand Greater Than Font Study by John LeMasney via lemasney.com
Ampersand Greater Than Font Study by John LeMasney via lemasney.com
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39 of 365: Face-ism Ratio design principle

39 of 365 - face-ism ratio design principle by John LeMasney via lemasney.com
39 of 365 – face-ism ratio design principle by John LeMasney via lemasney.com

Consider face-ism ratio when presenting a photo of a human. The theory says that a face that takes up a larger portion of the photo emphasizes the intelligence and persona of the person in the photo, where a photo that shows less of the face, and more of the body, emphasizes the bodily and aesthetic features of the person.

In this illustration, I decided to show myself with a higher and lower face-ism ratio.