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Brownstone by the beach

Brownstone by the beach - LeMasney Consulting
Brownstone by the beach – LeMasney Consulting

Okay, it’s April 1st, so I figured I’d play with a little visual foolery. With some inspiration from Shannon O’ Connor, who contributed a photo of a tower with a tree growing out of it (what kind of neglect does it take for a full sized tree to grow on top of a building, I ask you?) so I figured I’d mash up some architecture and nature. So here I have an urban apartment building/townhouse which I’m clearly mislabeling as a brownstone, painted on a brown stone. I haven’t decided yet whether it’s just a painted facade or whether you can actually enter it. I like to think that someone walks up to it, tries to enter, and grabs an image of a doorknob. April Fools!

So, in Inkscape, I imported two images from MorgueFile, one of the apartment building, and one of a massive rock in the middle of a desert. The boulder had a man standing in front of it for scale, and he was about one eighth of its height. I bitmap traced both images, placed them on top of one another, then painted them with the calligraphy tool, the eyedropper, and the palette. I added a gradient based background, built a happy faced sun out of stacked, blurred ellipses and text, and added some surf crashing with the calligraphy tool. So there you have it, a ‘brown stone’ by the beach. Thanks to Shannon for the inspiration, and to you for taking the time to look.

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portfolio

I’m so happy I found you – LeMasney Consulting

I'm so happy I found you - LeMasney Consulting
I’m so happy I found you – LeMasney Consulting

This sketch couldn’t have been simpler, and really says all that I care to say.

In Inkscape, I used the image you see there which I got from MorgueFile, and simply placed it in my SVG file. I chose it because of its immense vastness, and the unlikelihood in life with scenes like this in nature that we ever find anything so glorious as love. On top of that I laid my text, and for each line, I chose a color from the photo’s palette, using the eyedropper tool.

Thanks to you all for stopping by.

 

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portfolio

A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape

A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape
A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape

So today’s sketch is of a squid, which, not being a marine biologist, I think of as simply a sea creäture with 8 tentacles. And black, black eyes. Lots of eyes. So that’s what I drew here for you. A gracefully swimming black-eyed squid.

In Inkscape, I started with an ellipse, which I shaped into a thin US Mailbox type shape, then I used the pencil tool set to Spiro and shape: triangle in to create the tentacles. As a final touch I created a single black eye with a small highlight and then used 0.48’s brand new spraypaint tool which allowed me to quickly fill the space of the head with many clones of the original eye. Hope you enjoyed it!

 

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portfolio

It’s good to be Queen – LeMasney Consulting

It's good to be Queen - LeMasney Consulting
It’s good to be Queen – LeMasney Consulting

So there’s lots of reasons for this. First I was thinking of my beautiful wife, and how by mutual agreement, she pretty much has the power in our house, lives, and marriage. She does so much more with it than I would anyway. I also was thinking about the game of chess, which my 5 year old Jack and I have begun to explore in simple pawn only games. I was holding one of the queens in my personal board set which I got for my birthday about 5 years ago, and thinking about how beautiful the forms are, and it all came together as inspiration for this design.

In Inkscape, I imported a photo of a queen, and used the guidelines in Inkscape to create horizontal markers for changes in the form from top to bottom. Using the rectangle and conversion to path, I used the node tool to shape out the queen. I added a checkerboard in the back, the text over top, and finally, I used the new 0.48 beta spraypaint tool in order to create the bokeh effect you see floating in the background.

  • New Inkscape Tutorial Published: Sequins (verysimpledesigns.com)
  • Mac OSX Inkscape dev builds (0.48) (inkscape.modevia.com)
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portfolio requests

89 of 365 is a wild sunburst in #Inkscape @Robin Milne

Wild Sunburst - LeMasney Consulting
Wild Sunburst – LeMasney Consulting

So this is in response to a 365 request from a friend and loyal workshop attendee, Robin Milne, who in noticing my love for the spiro spline effect sent me a crazy image of an object that had hundreds of beautiful squiggly spiro like lines. I have no idea what the object is, and in a way, I prefer not to, as it’s beautiful as simply an object.

Spiro monster from Robin Milne
Spiro monster from Robin Milne

So at any rate, I decided I was going to go back to an old standby theme, the Sun, especially in celebration of the Spring Equinox. I took Robin’s image, I brought it into Inkscape, bitmap traced it, duped and rotated it a few times, changing the color each time. Then I added a central ellipse to make it clearly a sun, finally working into all of it with the calligraphy tool.  I built a sunset styled gradient in the background, and painted in a landscape below. For a final touch, I added a candy coating effect to the sun. I enjoyed making it, and I thank Robin for caring enough to send an image, and you for caring enough to stop by. Happy spring!

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portfolio

88 of 365 is a spring flower mindful of winter in #inkscape

Spring flower - LeMasney Consulting
Spring flower – LeMasney Consulting

Tomorrow is 2010’s spring equinox, and so I thought I’d celebrate with a highly stylized flower design.

In Inkscape, I started by adding two inline circles, and then connecting them with a Bezier path to create the dual opposing dewdrop shape. I then unioned these and duplicated them, moving the center of rotation between the two shapes. This made essentially the gray shape you see there. Next, I duplicated and path-outset the shape to make the light blue shape. I did the same for the deep blue shape. For the shadow effect behind the light blue and deep blue shapes, I duped those shapes, changed them to gray, and gave them some blur. I added the blue circles using the ellipse tool. Finally, I used the candy coating effect (dupe, intersect with circle, apply gradient) for the gray shape and each of the blue circles separately.

Hope you enjoyed it, spring’s right around the corner now.