I had a very close friend ask me to do a typography study of the text-based heart that we use in chats, in the form of less than 3 (<3). Not surprisingly some fonts work far better than others for conveying a heart.
tags: heart, study, typography, Inkscape, open source, creative commons, postaday2011
So I realized a long time ago that Radiohead’s song “Creep” and Queens of the Stone Age’s song “How to handle a rope” (I think; I’ll check) “You can’t quit me baby” both use the beautiful lyric I illustrated here. Yeah it’s a little sad, but who doesn’t want someone to miss them? Anyway this is just a series of fonts overlapped on a gradient background in Inkscape.
Phil Shapiro, a long time supporter of this project, who contacts me regularly about Inkscape related stories and sites. He recently contacted me and suggested:
Here’s an inspirational quote I totally made up today. “Life is a rich tapestry of metaphors interwoven with another rich tapestry of other metaphors.” Can you give this a 365 Sketches treatment to place the text centered (landscape) with a weaving theme around all four borders? <giggle> phil
Thanks, Phil! I didn’t know exactly what to do with the weaving around the four borders, but I really love the way this font and color renders a rich interweaving tapestry. 🙂
So my good friend and sometime collaborator, Craig Smith, asked me to look through my fonts to see what I thought might be a good match for his soon-to-be-released CD of electronica. He passed me the existing cover art and notes, and I gathered from the work and from his description that he was looking for something dark, edgy, and crisp. I gave him a list of about 12 fonts as a sample, and we whittled it down to this set of five. I was very happy to be asked, and I love the idea that I might be mentioned in his notes. Thanks for reaching out Craig, and congratulations on the project!
A set of monograms for friends by John LeMasney via 365sketches.org #cc #design #typography
A set of monograms for friends by John LeMasney via 365sketches.org #cc #design #typography
So this was inspired by the recent sketch of my longtime monogram as well as a conversation with Sarah Badawy about how some combinations of letters work better than others. In order to do each of these, I went through the same workflow in Inkscape each time:
Using the text tool, type the first and last initial and highlight them both
Using the font dialog, flip through each font until the right font shows up. The right font is one that properly represents the subject, provides an interesting way to connect the letters, creates an interesting shape, and is visually attractive.
After the font is chosen, you can use the kerning features of the text tool (alt plus arrows when you have the cursor inserted) to move the letterforms into the perfect relationship.
If there is any part of your font that you don’t care for (I don’t like dots on the letter i, generally) you can use the select tool to select and convert the text into a path (shift-ctrl-c) and then ungroup the text (ctrl-u) in order to work with the letterforms independently and also use the node editor to directly manipulate the text turned paths.
You can do it. You can also extend this methodology to any string of text to make logos, wordmarks, and text based art and design.