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A circular calendar by John LeMasney

A circular calendar by John LeMasney
A circular calendar by John LeMasney

One evening I was thinking about how strange it was that 360 degrees in a circle is similar to 365 days in most years. I was then thinking that if you broke out the days of the calendar year along the clockwise path of a circle that it might be a very interesting way to mark time, especially for a project like mine. You might see, for instance, at a glance, how much of this project has passed so far. So I made it in Inkscape.

I used the amazing and flexible Render Polar Grid extension as a base. I gave it 365 angle divisions and 2 major circular divisions, and tweaked the other settings with preview enabled until I had what I wanted. After that I began counting angle divisions from the top center, which I labeled January 1, to the division line that was 31 gaps away, which I labeled February 1 and so on. I extended the lines of the polar grid where these first days appeared. This counting, for me, was easily the hardest part of the project. I had to count lines 2 and 3 times, and remember that the first day of the next month was 29 and not 30 days away or what have you. Finally, I added an ellipse with the division feature enabled to show part of the ellipse as filled. Look for the little circle handle on the ellipse you made and move it with the node tool to play with this feature.

So, Inkscape is also a fantastic tool for conceptual design and ideological illustration, but you knew that. 😉

 

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Blue bokeh – John LeMasney

Blue bokeh - John LeMasney
Blue bokeh – John LeMasney

So, in an earlier sketch (dark green bokeh), I used Inkscape’s Tiled Clones feature to create a Bokeh effect, though at the time, I myself was less than impressed with what I came up with, and knew that I’d be coming back to it to make an improvement, which i feel like I’ve achieved here. I love Bokeh images, and in a camera, they’re generally created by having distinct backlight sources that are far out of focus while having a foreground subject or space that is in focus. In this particular case, I was creating a scene that focused on just the out of focus back light sources. Here, we might be looking at a building with lots of bright reflections in the distance, or water on a large lake on a sunny day, but in general, I think Bokeh are magical, mystical, and beautifully abstract.

With the beta of Inkscape 0.48, many people have been hard at work bringing new features to Inkscape. One of the most exciting differences for me between 0.47 and 0.48 is the brand new spraypaint tool, which allows you to take a single object or group of objects and quickly recreate them as a stream of overlapping clones, as though you had a spray can filled with a shape. You can affect the size, rotation, and other aspects of the copies or clones that you create with the tool, and it does a great job of injecting random placement into your design.

This tool was made (amongst many other uses) for just this kind of sketch. In Inkscape, I created a blue background rectangle, then I placed a single white ellipse and set it to 50% opacity. Then, using the spraypaint tool, I clicked and dragged the ellipse, which created a series of randomly placed clones at different sizes as I moved the tool about the canvas. It quickly created a randomness for the bokeh that worked nicely. I also used Inkscape’s tweak tool to affect the hue, brightness, and opacity of the shapes. Finally, I selected a few of the shapes at a time and increased blur at varying levels.

A very fun, very quick way to create this effect in Inkscape. Thanks to @JonCruz, @Scislac, and the rest of the Inkscape developers for a great upcoming release.

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Speedometer illustration – LeMasney Consulting

Speedometer illustration - LeMasney Consulting
Speedometer illustration – LeMasney Consulting

Well, friends, we’ve reached 100 sketches. I’m really enjoying the ride, and I wanted to take this opportunity to say thank you to all the supporters, commenters, and participants in my process. You all rock!

In Inkscape, this is a series of overlapping circles with path outsets applied. The background is a bumpy leather filter. The glossy shine is just an application of the candy technique. I added the text for the numbers on a grid, and I added a star shape for the degrees on the gauge.  Thanks again!

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A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape

A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape
A monstrous squid with a hundred eyes by John LeMasney via 365sketches.org #cc #design #illustration #inkscape

So today’s sketch is of a squid, which, not being a marine biologist, I think of as simply a sea creäture with 8 tentacles. And black, black eyes. Lots of eyes. So that’s what I drew here for you. A gracefully swimming black-eyed squid.

In Inkscape, I started with an ellipse, which I shaped into a thin US Mailbox type shape, then I used the pencil tool set to Spiro and shape: triangle in to create the tentacles. As a final touch I created a single black eye with a small highlight and then used 0.48’s brand new spraypaint tool which allowed me to quickly fill the space of the head with many clones of the original eye. Hope you enjoyed it!

 

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96 of 365 is a wretched prince of darkness in #Inkscape

Prince of Darkness - LeMasney Consulting
Prince of Darkness – LeMasney Consulting

 

Okay, so before you unsubscribe from my RSS feed citing blasphemy, know that I’m no devil worshiper. I promise you, I’m not here to offend anyone. As a design focus, you have to admit, this literary figure has an interesting illustrated past. I originally envisioned this sketch as a simple icon, a road sign that read devil crossing, with a simple silhouette of a human top and a goat bottom, but as I gathered the pieces for the figure, I realized that the detailed lines would come together very nicely as a more realistic illustration. To that end, I got some great free images from MorgueFile and Flickr’s The Commons, so that I’d not need to worry even about attribution. I got a picture of a goat’s head for the horns, a public domain portrait of a bare chested fighter, and a picture of a deer for its hind quarters, and brought them all into Inkscape and bitmap traced them. I had to do some flipping, node removal and resizing to get all of the elements right in relationship to each other, and after that I connected the disparate lines with the calligraphy tool. I had to rebuild the hooves on the deer, connect the hind quarters to the man’s chest, and place the horns, hat-like, upon his head. Finally, using the pencil tool set to 50% smoothing, Spiro, and shape: triangle in, I made 5 tails, and capped each tail with a point. All said and done, I wouldn’t want to meet up with this guy.

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4 ghosts from Pac Man reimagined – LeMasney Consulting

4 ghosts from Pac Man reimagined - LeMasney Consulting
4 ghosts from Pac Man reimagined – LeMasney Consulting

For the love of Pac Man

So, like many of Gen X, I was highly influenced by the introduction of Pac Man, and feel like the colors, sounds, and excitement that came over me the first time I saw it changed me in ways that I didn’t know until I started to study design. I was never particularly good at the game, and still I have trouble getting past the first level before losing interest. The first time I saw the game, it was inside a Wendy’s Hamburgers in Northeast Philly. It was about the size of a dishwasher, doubled as a table, and had a short queue waiting to play it. The version I play now is free and exists on my phone. It really is the end times.

How I made the image.

In Inkscape, I started by making the simple ellipse, rectangle, and Bezier shapes for the ghost outline. I combined the rectangle and Bezier path, the duplicated and flipped that shape to create the back of the ghost “skirt” In fact, two more dupes were made in order to create the 3d effect of the skirt. I found a public domain skull and bitmap traced it and carved it down to just the eyes and nose, then added it to the ghost. Then I added the candy coating effect. I duplicated the ghost 3 times and affected the color to match the Pac Man colors. As a final touch, I added the final frame of the Pac Man sprite (when he is captured) to the background. I hope you enjoyed it!