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Illustration Inkscape

Dead words on dead wood cc-by lemasney

dead words on dead wood cc-by lemasney
dead words on dead wood cc-by lemasney

Here’s an illustration of the idea that messages printed on paper, books and magazines are “dead words on dead wood”, and while a great many books of mine are beloved despite this, I have tried desperately to remove unnecessarily printed paper from my life. When something is printed, a snapshot of a living updating document, it’s kind of a waste, and we don’t need to do it anymore. I think the outdated-ness of a printed document (not a book, but an agenda) offends me most. It makes it a lot easier to use something like Google Drive to find, edit, collaborate on and share documents that are always up to date, backed up, and available. Please don’t read this idea as anything like a dislike for books, librarian friends, but rather a dislike for wasted paper on lesser messages. <3

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Illustration Inkscape

Woke up this morning – Raymond Carver cc-by lemasney

woke up this morning - raymond carver cc-by lemasney
Woke up this morning – Raymond Carver cc-by lemasney

About Raymond Carver

“Raymond Carver was one of a handful of contemporary short story writers credited with reviving what was once thought of as a dying literary form. His stories mainly take place in his native Pacific Northwest region; they are peopled with the type of lower-middle-class characters the author was familiar with while he was growing up. In a New York Review of Books article, Thomas R. Edwards describes Carver’s fictional world as a place where “people worry about whether their old cars will

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Books are the mirrors of the soul – Virginia Woolf cc-by lemasney

Books are the mirrors of the soul - Virginia Woolf cc-by lemasney
Books are the mirrors of the soul – Virginia Woolf cc-by lemasney

Between the Acts – Virginia Woolf

“A foolish, flattering lady, pausing on the threshold of what she once called “the heart of the house,” the threshold of the library, had once said: “Next to the kitchen, the library’s always the nicest room in the house.” Then she added, stepping across the threshold: “Books are the mirrors of the soul.” In this case a tarnished, a spotted soul. For as the train took over three hours to reach this remote village in the very heart of England, no one ventured so long a journey, without staving off possible mind-
hunger, without buying a book on a bookstall.

Thus the mirror that reflected the soul sublime, reflected also the soul bored. Nobody could pretend, as they looked at the shuffle of shilling shockers that week-enders had dropped, that the looking-glass always reflected the anguish of a Queen or the heroism of King Harry. At this early hour of a June morning the library was empty. Mrs. Giles had to visit the kitchen. Mr. Oliver still tramped the terrace. And Mrs. Swithin was of course at church. The light but variable breeze, foretold by the weather expert, flapped the yellow curtain, tossing light, then shadow. The fire greyed, then glowed, and the tortoiseshell butterfly beat on the lower pane of the window; beat, beat, beat; repeating that if no human being ever came, never, never, never, the books would be mouldy, the fire out and the tortoiseshell butterfly dead on the pane. Heralded by the impetuosity of the Afghan hound, the old man entered. He had read his paper; he was drowsy; and so sank down into the chintz-covered chair with the dog at his feet–the Afghan hound. His nose on his paws, his haunches drawn up, he looked a stone dog, a crusader’s dog, guarding even in the realms of death the sleep of his master. But the master was not dead; only dreaming; drowsily, seeing as in a glass, its lustre spotted, himself, a young man helmeted; and a cascade falling. But no water; and the hills, like grey stuff pleated; and in the sand a hoop of ribs; a bullock maggot-eaten in the sun; and in the shadow of the rock, savages; and in his hand a gun. The dream hand clenched; the real hand lay on the chair arm, the veins swollen but only with a brownish fluid now.”

– BETWEEN THE ACTS – http://goo.gl/6H6ZW8
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consulting curriculum vitae Illustration portfolio professional activities professional experience research interests

1 of 365 (2014): The 80/20 Principle

1 of 365 - the 80 - 20 Principle by John LeMasney via lemasney.com
1 of 365 – the 80 – 20 Principle by John LeMasney via lemasney.com

Welcome, all, to the 2014 edition of 365 sketches. This is a simple offering for the first sketch, but gives some idea of what I intend to talk about. In this series, I intend to learn more about design principles, because in the past I focused mostly on method and technique. I hope that this series teaches me as much about design ideology as past series have taught me about design method. It is perhaps evidence of “a cart before the horse” which I am trying to remedy.

The 80/20 Principle is one in which a well-working system of any kind (book, technology, structure, organization) has distributed value and power, where the 20 percent represents the most important, the most valuable, and the most protected, and the rest supports it. We are experiencing political difficulty in this country at the moment, according to this theory, because the 20 percent has been reduced too far. The same is true in design, books, movies, or other organizations of content: If there is too little to gain from participation in the whole, e.g., if only a small percentage holds the entire value, then the entire structure falls apart, and holds no value at all. The best design, according to the theory, balances value and support at a ratio near to, but not necessarily equal to, 80/20.

 

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20121118: A Hemingway Cat by John LeMasney via 365sketches.org #design

20121118: A Hemingway Cat by John LeMasney via 365sketches.org #design
20121118: A Hemingway Cat by John LeMasney via 365sketches.org #design

I have a good friend with a Hemingway cat who I wanted to surprise with a gift portrait. In this case the cat is a Maine Coon. A Hemingway cat is known as such because of the author’s fondness for and collection of them. Also known as a polydactyl cat, the term polydactyl refers to extra toes on each paw.

 

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affiliations professional activities professional experience references research interests teaching experience technology

Newark Academy: Day-long session on Inkscape and design skills

Variations on Open #Inkscape
Variations on Open #Inkscape

On May 31st, 2012, I got the opportunity to teach high school students about Inkscape, open source software, and open standards. I went over basic functionality in Inkscape, demonstrated some design techniques, and helped students with portfolio based projects. Special thanks to Mike Harris and Debi Dixler.