The following posts were written and proposed as a book chapter on Pinterest for Libraries, but the chapter was not accepted. Sad, except that now it means that I have some content to share publicly with you! Over the next few days, I’ll be publishing the chapter as a series of posts.
John LeMasney of LeMasney Technology and Design Consulting will discuss Pinterest, a visual social bookmarking system that is often dismissed as simply a place for wedding photos and pictures of vegetarian recipes. Pinterest is a way to collect, curate, share and discuss photos and videos of any kind, and this article will discuss 10 ways you can use it to engage patrons and other stakeholders in the visual brand, items, and topics at libraries. You can increase the visibility of your programs, and give people new ways to click through to discover and borrow your assets.
A Pinterest glossary
fig 01 – lemasney on Pinterest
I thought that it would be useful to start with a short glossary of terms related to Pinterest for the uninitiated. There is a culture to Pinterest, and with any good culture comes a kind of vocabulary.
Pin – A pin is a single shared image or video on Pinterest. A pin consists of a digital image or video, an optional link to the original site, and a description for the pin, up to 500 characters long. Great pins are attractive regardless of their context, but their context, history, and source should be present. Think of a pin as a way to inform people of information literacy, scholarship, and ideological respect in addition to the basic idea of the pin itself. Libraries can use pins to share elements of their organizational brand: what makes them unique as a library.
Pinning – Pinning is the act of sharing a pin on Pinterest. Pinning can be done exceptionally well or rather lazily. Pinners who care will add metadata, a reasonable description, links back to source sites, and encourage discussion. Pinners who are just passing the time will put up a single word description, not consider the link or source, and not respond to discussions, repins, and other cultural niceties. A library pinterest effort might include an emerging technologies librarian as the sole pinner, but there is a potential for richness when administrators, staff, and patrons are all invited to pin.
fig 02 – also pinned to
Repin – A repin is the act of taking a pin that already exists on Pinterest and sharing it on one of your own boards, effectively giving it a vote of confidence and admiration. Repinning is a kind of moral engine on Pinterest, helping people’s pins to reach larger and larger audiences. When libraries repin pins, they show that they are looking at other people’s pins, making a decision about their alignment with that person, and inviting them to check out the library’s pins. Repins are important in building a community.
fig 03 – the pin it button
Pinmarklet – A combination of the words Pinterest and Bookmarklet, the Pinmarklet is a javascript button that you copy to your bookmarks bar and click whenever you are on a site where you find something worth sharing. It greatly simplifies the pinning process compared to the “share pin” feature on the site itself. Libraries who use pinterest should consider adding the pinmarklet to staff computer images, so that they are encouraged to pin library related pins.
Comment – each pin on Pinterest has the ability for anyone to comment. By commenting, you effectively notify the pinner of your interest in the content, and give them the opportunity to begin a conversation with you. One can argue that the very point of social media in any form is to begin a discussion. If you pin a new acquisition and have it link through to your ILS, that’s an invitation to borrow that item. If you start a discussion to talk about why the media was acquired for your collection, you engage not only patrons and potential patrons, but also give the opportunity for a better understanding of why your library makes the choices it does.
Board – A board is the curation space on Pinterest, where you add, share, comment, and collaborate on pins. Your boards for your library should be essentially a visual version of your catalog, but also a business card, a note of thanks, a reminder of programming, and an insight into what your library really is, behind the buildings, people, and things in it.
Shared board – Boards can be co-curated by 2, 10, 100 or more pinners. You can invite other pinners that share the common interest of the board. The board’s creator may remove pinners at any time, or pinners can remove themselves. For libraries, shared boards are great opportunities. You could have a “patrons’ picks” board, in which only patrons post. You might carry a theme for the month, like “flying” or “government” and make boards that invite experts amongst your staff and patronage in those topics to pin what they know.
Follow – Pinners can follow boards that they like, with the key benefit being that they see new pins from those boards prioritized on their homepage. Pinners can choose to follow another pinners individual boards, or can follow the pinner wholesale. One can unfollow tiresome boards at any time. It is essential that you follow people with the library account. Following shows that you are not just interested in yourself, and also makes your home page far more interesting. When you follow people whose pins are related to yours, you see more of those kinds of pins when you open Pinterest.
Private Board – One innovation that Pinterest implemented in response to users was the ability to pin to a private board, which can also be a shared (collaborative) board. Their key example in explaining the function was to do party planning without the party’s purpose knowing about it, but many others cited that the prurient or otherwise controversial nature of some pins makes one less likely to repin them if others are watching. Private boards solve that issue. As a library, you might have private planning boards for upcoming events where you can collect pins related to the idea. Then when it is time to advertise the event, you can make the board public.
Like – One may like a pin rather than repin it, which adds it to a liked list, a kind of board in itself. Liked pins have all of the function and purpose of a pin or repin, but are useful especially in cases where the pin does not easily fit into your existing boards. You might like things that you do not necessarily want to associate with your library directly, e.g. an academic science library might want their boards to focus on science topics, but they might also ‘like’ pins about food. If the food is science related, even better.
Pinner – A user on the Pinterest system; one who pins. In creating an account for a Library, it is better if your personal Pinterest account is not used, so that you can separate your personal brand from the library brand. In fact, it is better to have a Library as a business account in Pinterest, so that you can get the added benefits of that mode (below).
Certified users and business accounts – you can associate yourself with a particular URL by going through an authentication process that allows you to gain statistical insights about pins from your web site. Libraries on Pinterest should consider this process since they may want to know if people are clicking on pins to visit their ILS for instance. Polaris, amongst other social media aware cataloging systems, allow for the pinning of assets by patrons right from the catalog if enabled.
Libraries, the original co-working space cc-by lemasney
An important distinction (Photo credit: lemasney)
Today, I’m presenting on behalf of Library Link NJ on the topics of eBook borrowing and the Basics of Graphic Design.
In this session, we are going to look at using Overdrive to borrow eBooks, a very common method in libraries today. We will spend the rest of the time looking at the basics of Graphic Design concepts, like inspiration, font choice, layout and visual branding. The materials that I am distributing are below.
Tame The Web logo rev4 by John LeMasney via lemasney.com
Tame The Web logo workspace by John LeMasney via lemasney.com
Here is a final image of the workspace that I used to create the new Tame the Web (TTW) logo using Inkscape, with the help of Michael Stephens. Michael has been the heart of TTW since its inception, and wanted to have a logo to present his organization to a larger audience. He reached out on Facebook (where I get most of my work) and asked about logos on his page. He got some feedback, and in the process, Lori Reed decided to tag me, and I responded that I’d love to be involved in the logo if possible, and that I’d work for free. Michael contacted me and we began. I asked him to fill out the design brief on this site (it’s in the menu above) and when I got the response, I did this.
Tame The Web logo revision 0 by John LeMasney via lemasney.com
I tend to start logo work with the fonts. In this particular case, I used some of the information from the design brief to create a possible logo. In the brief, Michael talked about the past branding work that he had done and what had been present. He wrote that a heart symbol had always been a constant in identifying TTW. He also shared a palette, some quotes, and some clarifications in order for us to work through the logo. Michael understands brand. When he saw the image above, he said that the logo I proposed was beautiful, but that it was not the right feel. He said that it had a certain old-timey feel to it, and that he was looking for something a bit more contemporary. I understood, and decided to focus on fonts, as I usually do. He told me he liked a few of the fonts in the first submission, and I decided to focus on those.
Tame The Web logo rev1 by John LeMasney via lemasney.com
In this revision, I took the fonts that Michael liked and tried a few subtle differences, including the pipe between elements,. the kerning, and the imagery. I never thought the whip would go very far. 🙂 I sent them to him, and he said that he loved the curve in the line, but that straight spoke to him more. He also liked the tighter kerning in some of the versions. He liked the horizontal version as well.
Tame The Web logo rev2 by John LeMasney via lemasney.com
After he gave me feedback I focused just on the elements and kerning that he liked, and decided to incorporate the palette he had suggested, with deep blues. I grabbed one of my favorite deep blue palettes, and applied the colors to the elements. I sent it back.
Tame The Web logo rev3 by John LeMasney via lemasney.com
But there was still the issue of the missing heart. I decided to play a bit with text and image to introduce hearts, which Michael enjoyed. We agreed that the solid blue heart worked best, and worked best ahead of the title.
Tame The Web logo rev4 by John LeMasney via lemasney.com
Here are the final two versions of the logo, one horizontally aligned, and one block sized. I absolutely loved the opportunity, and I’m so grateful to work with someone like Michael. Even though I always have great, creative, and interesting clients, Michael was a standout.
I got an email today that asked me if my work could be used as an album cover, and I am delighted.
To Mr Lemasney
My name is Guy Joynson. I’m a UK based musician and photographer. I hope you’re well. I’m currently recording my first EP which is a covers EP featuring four songs which are: Jolene- Dolly Parton, Used To Love You- John Legend, Only Love- Ben Howard and Wagon Wheel by Old Crow Medicine Show. I love your stormtrooper print and was wondering if I would be able to use it on the front cover of my EP? It’s only to give out as a demo and will make no profit. I have also attached a copyright notice to the back cover of the EP. I have attached a layout of the EP to this email. I hope you like it. I look forward to hearing from you.
Kind regards
Guy Joynson
Web: www.guyjoynson.com
Tel: redacted
E-mail: redacted
Twitter: @GJ_Photography
: @Guy_Joynson
The album cover, including attribution to me is here:
Album cover, Guy Joynson
The original work is on 365sketches.org, here.
Decorative classic stormtrooper mask by John LeMasney via 365sketches.org #cc #design #art
There’s of course the issue of the use of an item from the Star Wars universe, and the fact that Lucas et al. have always strongly protected their work, but I doubt that anyone sees either Guy or I as any kind of monetary threat. Also, I highly doubt that anyone thinks that I was the designer of the original classic stormtrooper design.
My response was as follows:
I’d be honored. I use a creative commons – attribution license, and not copyright, which asks only that you mention me as the artist (preferred: “Stormtrooper helmet by John LeMasney via 365sketches.org (cc-a)”), but you have more than met the requirements of the license.
Congrats on the release, and I really appreciate that you asked!
I have tried to find an especially easy meal to get about 500 calories in a good balance of fat, carbohydrates, and protein. It should accomplish the following:
In a 2 cup bowl, combine granola and peanut butter into a paste, dice and add apple, add raisins and mix.
It is addictive. It’s so delicious that I crave it, and have had it every day since I first made it. The fruit adds a bright sweetness, the raisins add a chewy licorice depth, the granola brings a crunchy texture, and the peanut butter holds everything together. At 8 grams of fat, 10 grams of protein, and 87 grams of carbohydrate, it is very close to my nutritional percentages that I try to get for the day. The sugar is all fructose, and it has no refined sugars. The ingredients are local and organic. I could make the raisins myself, and have a plan to start drying fruit this season. It’s raw food, whole food, good food. 440 calories for the whole bowl.
Apple, granola, peanut butter, and raisins, by John LeMasney via Diary of Calories