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Urban circles

Urban design - LeMasney Consulting
Urban circles by lemsy

The image titled “Urban Circles” by John LeMasney presents a visually striking composition that primarily features a series of concentric circles, varying in size and thickness, that create a sense of rhythm and movement across the canvas. These circles, some solid, others composed of loosely formed rings, are centered and dominate the image, suggesting a modernist take on targets or ripples in water. The color palette is relatively limited but thoughtfully chosen, featuring shades of red, from deep burgundy to brighter crimson, which stands out against a muted background of olive greens and earthy browns.

Numerous organic shapes and swirls are overlaying and intersecting these circles, reminiscent of vines or tendrils. These curvilinear forms introduce an element of nature and growth, and their lighter hues, set against the darker background, add depth and complexity to the image. The lines that define these shapes are elegant and fluid, contributing to the overall dynamism of the composition.

The image’s backdrop evokes the texture of aged parchment or a wall worn by time, imbued with subtle gradients and a speckled effect that suggests a rich patina. This textured quality gives the image an additional layer of interest, hinting at history and permanence.

“Urban Circles” could be interpreted as a metaphor for the interconnectedness of urban life, where the circles represent different communities or nodes within a city, and the intertwining organic lines symbolize the paths that connect them. The use of circles, often seen as a symbol of unity and perfection, juxtaposed with the organic, imperfect swirls might also reflect the contrast between the man-made environment and the natural world. This theme resonates with the complexity of urban ecosystems.

The composition’s balance between geometric and organic elements, along with its color scheme and textural qualities, all contribute to a piece that is simultaneously modern and timeless, orderly and wild, reflecting the multifaceted nature of urban existence.

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portfolio

Robot searching for love

Robot searching for love - LeMasney Consulting
Robot searching for love

I really love how this one turned out. I started by looking in the MorgueFile directory for inspiration and came across this killer set of robot images that were being featured. I loved the one I used as the basis of this piece at http://morguefile.com/archive/display/645792 by Seemann. I took the original image, bitmap-traced it twice, once in edge mode and once in threshold mode, and made the edge bright yellow and the threshold deep dark umber. I then duplicated and filled the threshold image with bright yellow, sent it to the back, and blurred it for a glow effect. I used the ellipse tool to make the thought cloud and did a union to bring the cloud together. The heart was made with the ellipse and Bezier tools and unioned. Then, I duplicated, intersected, and path-inset to make the gradient reflection on the heart. The background is just a subtle mix of earthy tones. I had a lot of fun making this one; I hope you enjoy it.

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professional activities teaching experience

Infolink presents: Practically Designed

Rider tech training poster 2009
Image by lemasney via Flickr

Date: Tuesday, December 15th, 2009

Venue: Clark Township Public Library, Clark Township, NJ

“Class Description:

During this workshop on the basics of visual design best practices, we’ll examine examples and counter-examples of great design, the basics of layout, simplified color theory, rules for fonts and legibility, images and photographs, designing stamps vs. pages vs. slideshows vs. billboards, copyright and creative commons, and free and open source design tools (photo manipulation, illustration, layout, catalogs, and quick editors).

By the end of the program, you will:

* Find and evaluate web-based resources for great design
* Choose the best colors, layouts, fonts, and graphics for other design projects
* Respect copyrighted work by finding imagery and other materials that are freely and legally available
* Become inspired about your design projects
* Move beyond Word and Publisher to more sophisticated design tools”

Presentation: https://docs.google.com/presentation/d/121kHFLhNGrP85vKdR5ti1tRFVzMbwRmboBRuzRLFg7A/edit?usp=sharing

  • A Successful Open Source Fundraising Campaign? (ianskerrett.wordpress.com)
  • Hack Your Chair (Open Design Chair) (thewavingcat.com)
  • In Which I Share My Texture Images via @feedly (jolieodell.wordpress.com)
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professional activities teaching experience

Highlands Regional Library Consortium presents: Practically Designed

open source jackpot
Image by lemasney via Flickr

Date: Thursday, November 19th, 2009

Venue: Hasbrouck Heights Public Library

Abstract: During this workshop on the basics of visual design best practices, we’ll examine examples and counter-examples of great design, the basics of layout, simplified color theory, rules for fonts and legibility, images and photographs, designing stamps vs. pages vs. slideshows vs. billboards, copyright and creative commons, and free and open source design tools (photo manipulation, illustration, layout, catalogs, and quick editors).

By the end of the program, you will:

* Find and evaluate web-based resources for great design
* Choose the best colors, layouts, fonts, and graphics for other design projects
* Respect copyrighted work by finding imagery and other materials that are freely and legally available
* Become inspired about your design projects
* Move beyond Word and Publisher to more sophisticated design tools”

Presentation: https://docs.google.com/presentation/d/121kHFLhNGrP85vKdR5ti1tRFVzMbwRmboBRuzRLFg7A/edit?usp=sharing

Commentary and notes:

  • Open Colour Standard: free/open alternative to Pantone (boingboing.net)
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professional activities professional experience teaching experience

Metro: Graphic Design Best practices

open source jackpot
Image by lemasney via Flickr

“Class Description:

During this workshop on the basics of visual design best practices, we’ll examine examples and counter-examples of great design, the basics of layout, simplified color theory, rules for fonts and legibility, images and photographs, designing stamps vs. pages vs. slideshows vs. billboards, copyright and creative commons, and free and open source design tools (photo manipulation, illustration, layout, catalogs, and quick editors).

By the end of the program, you will:

* Find and evaluate web-based resources for great design
* Choose the best colors, layouts, fonts, and graphics for other design projects
* Respect copyrighted work by finding imagery and other materials that are freely and legally available
* Become inspired about your design projects
* Move beyond Word and Publisher to more sophisticated design tools”

from Graphic Design Best Practices – METRO Professional Development at Mon Nov 16 2009 23:26:02 GMT-0500 (EST) on

Presentation: https://docs.google.com/presentation/d/121kHFLhNGrP85vKdR5ti1tRFVzMbwRmboBRuzRLFg7A/edit?usp=sharing

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professional activities references research interests teaching experience

CJRLC: Practically Designed

1908 billboard, Salt Lake City, Utah
Image via Wikipedia

Date: Tuesday, October 20th, 2009

Venue: CJRLC Offices, Freehold, NJ

Abstract: In this workshop on the basics of visual design best practices, we’ll examine examples and counterexamples of great design, the basics of layout, simplified color theory, rules for fonts and legibility, images and photographs, designing stamps vs pages vs slideshows vs billboards, copyright and creative commons, and free and open source design tools (photo manipulation, illustration, layout, catalogs, and quick editors).

Presentation: https://docs.google.com/presentation/d/121kHFLhNGrP85vKdR5ti1tRFVzMbwRmboBRuzRLFg7A/edit?usp=sharing

Commentary and notes: Thanks to Amy and everyone who came to the session!

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