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On Organizational Branding for Libraries and other institutions

Carnegie library interior, Cincinnati, Ohio, U...
Carnegie library interior, Cincinnati, Ohio, USA, 2004 by Rick Dikeman (Photo credit: Wikipedia)

Tonight, I’m getting the chance to talk to librarians about a topic that I think is incredibly important to discuss, but do not get the opportunity nearly enough: organizational branding.

You might be tempted to think that I’m just talking about visual branding, like the library’s logo, but I’m not. In fact, visual branding can only be truly successful in my opinion after you have done the more difficult work of discovering what you are, what you are trying to represent, and stakeholder perception. The aim of organizational branding efforts is to make these three ideas merge:

  1. We are presenting a brand of some kind now (active or passive, intended or unintended) that we hope creates a positive, accurate perception by our stakeholders.
  2. We have stakeholders that perceive our brand in some way, and we must discover what that perception is, even if it is not positive or correct.
  3. We can do actions, enforce policies, and check stakeholder perceptions to align our brand with our intended perceptions, the very intent of branding.

We are doing these things to underline and reinforce what we are, and our patrons and other stakeholders understand and agree.

Brand assessment

The first part is to find out how you wish to be perceived. In other words, your brand is your function, your vision, your mission, your actions, your culture, and your perception. Do you know what these things are for your organization? What is your function? If you are a public library, is your function simply to get books and other media into the hands of patrons? Or is it to extend the education, abilities, and preparedness of humans getting ready to face the world? There is a chasm between these two ideas. What is the vision of your organization? How does your organization see the world? For example, the world might be dystopian, a cold and barren place in which everyone is watched and tracked, or the world might be an experiential delight, in which every interaction in the world is an opportunity for growth, learning, and extension. Perhaps most interestingly, what is the culture of your organization? What are the sensory cues that your space, language, and actions represent? What kind of art do you have on the walls? What color is on the walls? What scents greet you when you walk in? What kind of programming are you offering? What resources are available to patrons? How do staff react to interruptions? What frustrates your patrons? What do those things say about who you are, versus who you are trying to be? You can find out what you want your brand to be, and what it is now, and close that gap.

Stakeholder research

After you have discovered what it is that you are trying to be, it’s important to discover how you are being perceived. If your mission, vision, and culture are either not being perceived or interpreted in the ways that you expect, then the rest of your efforts will be that much more difficult. Through observation, interview, survey and other research methods, you can get a clear idea of how your efforts are being interpreted by staff, administrators, children patrons, adult patrons, and so on. You can find out how you are being perceived, and how you would prefer to be perceived, and close that gap.

Rebranding effort

Finally, you have to assess the gap between your efforts, your branding goals, and the perception of your brand. Once you have a clear idea of how you want to be perceived, and how you are being perceived, you can make changes in visuals, culture, policy, and action that underline, reinforce, and support that brand until your research shows that your intended brand is matching your perceived brand.

If you are interested in getting help for your organization to assess, interpret, and construct the brand that you want for your library or other organization, I would love to sit down with you to have that discussion. I’m lemasney@gmail.com.

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79 of 365 is an abstract self portrait #Inkscape

 

Abstract self portrait
Abstract self portrait

 

I was having a conversation with a friend today about brand as applied to personal image, and realized that if I took off my glasses and shaved my beard that no one would probably recognize me. 🙂

tags: beard, self, image, brand, wordpress, postaday2011, open source, creative commons

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An illustration of Roger Ebert using text cc-by lemasney

A portrait of Roger Ebert made out of text by John LeMasney via lemasney.com
A portrait of Roger Ebert made of text by John LeMasney via lemasney.com

When I saw Slashfilm‘s post on Roger Ebert‘s list of best 2009 films (20 of them, not one of them Avatar), I remembered watching him on his show for years, up until his cancer surgery that removed a great deal of his lower face and neck. The photo that is the basis for my drawing appears above the post at Despite this surgery, which took his ability to speak, he continued to write, and as a salute on NPR stated so nicely:

“When Roger Ebert lost his ability to speak following cancer surgery, it wasn’t clear exactly what his future would hold, but it turns out that he entered a phase of his career that’s been utterly fascinating. He does talk about politics a lot on his blog, but even if all you read is his coverage of movies and culture, it’s well worth the time.” from Getting Personal: We Salute 10 Of Our Favorite Pop-Culture Humans Of 2009 – Monkey See Blog : NPR at Tue Dec 29 2009 23:35:51 GMT-0500 (EST) on

So, in my quest for doing (hopefully) interesting, poignant, and helpful sketches over the next year, I wanted to share my text-based portrait of Roger, with apologies to the original photographer who is not credited on Slashfilm. Shame. Also, I just read a great essay by Ebert that the NPR piece led me to at

He may not be able to speak, but he has certainly not lost his voice.