Hi, friends! This week, I continue in Inkscape, the open-source digital illustration application, to explain the concepts of shapes and paths.
Hi, friends! This week, I continue in Inkscape, the open-source digital illustration application, to explain the concepts of shapes and paths.
Hi, friends! I’m going to make a video each week to explore open-source creative tools like GIMP, Inkscape, Krita, Blender & others. This is the first of those videos. It’s about getting started with Inkscape, an open-source vector illustration tool that works similarly to Adobe Illustrator.

“Nakiris are double bevel knives designed specifically for working with vegetables. Nakiris are characterized by their flat profiles and squared off tips. This profile makes these knives ideal for push cutting and chopping but awkward for rock cutting. Nakiris are often ground thin to optimize performance and they benefit from a refined cutting edge. A similar design is the traditional single bevel usuba which is also designed specifically for use on vegetables. Nakiri enthusiasts may also want to consider the Chinese cleaver which performs a similar function with a somewhat similar profile.” – Nakiris from http://www.chefknivestogo.com/nakiri-knives.html
“Nakiri bōchō (菜切り包丁, translation: knife for cutting greens) and usuba bōchō (薄刃包丁, thin knife) are Japanese-style vegetable knives. They differ from the deba bōchō in their shape, as they have a straight blade edge suitable for cutting all the way to the cutting board without the need for a horizontal pull or push.[1] These knives are also much thinner. While the deba bōchō is a heavy blade for easy cutting through thin bones, the blade is not suitable for chopping vegetables, as the thicker blade can break the vegetable slice. The nakiri bōchō and the usuba bōchō have a much thinner blade. This does not help with cutting small bones in fish or meat, but is useful for cutting vegetables. Nakiri bōchō are knives for home use, and usually have a black blade. The shape of the nakiri bōchō differs according to the region of origin, with knives in the Tokyo area being rectangular in shape, whereas the knives in the Osaka area are called kamagata nakiri and have a rounded corner on the far blunt side. There are also kamagata usuba. The cutting edge is angled from both sides, called ryōba in Japanese. This makes it easier to cut straight slices. Usuba bōchō are vegetable knives used by professionals. They differ from the Nakiri bōchō in the shape of the cutting edge. While the nakiri bōchō is sharpened from both sides, the usuba bōchō is sharpened only from one side, a style known as kataba in Japanese. The highest quality kataba blades have a slight depression on the flat side. This kataba style edge gives better cuts and allows for the cutting of thinner slices than the ryōba used for nakiri bōchō, but requires more skill to use. The sharpened side is usually the right side for a right hand use of the knife, but knives sharpened on the left side are available for left hand use. The usuba bōchō is heavier than a nakiri bōchō, although still much lighter than a deba bōchō.[2]” – Nakiri bōchō – Wikipedia from https://en.wikipedia.org/wiki/Nakiri_b%C5%8Dch%C5%8D
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I wanted to illustrate what I thought the Google Home might be like in 10 years. I saw it as floating, hovering by way of low-energy drones. The device would be like an eye, always looking, listening, and recording. A disoriented human asks “Okay Google, what year is it?” in wonderment. This design is related to my concept for their future automated car.
I was inspired by an email based how-to on creating hashing, or cross hatching, in Inkscape. I thought the example seemed straightforward enough to deconstruct in my mind:
open Inkscape, create a circle, duplicate it, add a linear pattern to the topmost dupe, convert to path, shape into a shadow, place over circle, done.
But when I started doing it, to test whether it was just that simple, I was surprised at how many steps were really involved. You have to find the right pattern, you have to try a few on, you have to realize that you can’t easily add color to your patterns. You get some neat benefits though — real, deep calls to pop-based modernism, paying ideological royalties to Warhol’s Brillo Boxen and Jasper Johns’ frisky template based stories. So I decided to take it somewhere. And this post is the result.
I wrote ‘To be honest,’ but I loathe when people say that. We may be honest always, but what a stark surprise that would be, and the resulting pain that would potentially be inflicted seems an easily avoidable horror. So here, I’ll offer some harmless honesty: I’m not sure what i am doing here. I want to be productive, create and publish things of value, but I think that the audience has to find the value in you doing what you love, if any value is to be found at all. This may the closest digital alternative we have to Busking, posting on tools like WordPress (or worse yet, Facebook). But today, as I write this, it feels right. This is what I feel I should be doing: Writing about, illustrating, and sharing my experiences and results and insights and outcomes in the hopes of feeding into the collective insight of humanity. I have no idea if anyone will care, or even respond. But maybe. Only by trying will we find out.
So I was working on the practice of creating cross hatching in Inkscape, finding the stark contrast of the linear elements a bright, sharp change in my style. I began to make the circle into a kind of orb. The cross hatching became a futuristic fin that both altered direction and provided thrust. Each overlapped circle added a new dimensional layer of electronics or protection, all perfectly interlocking and freely moving.
A pupil and iris emerged. A short story about the future that writes itself in one’s mind resulted. The title of that short story is “Okay Google, what year is it?”, and the orb you see is some nearby year’s equivalent to the amazing Amazon Echo, except it uses quiet drone and magnetic stops technologies to float about your house, answering any question, turning on and off million colored micro LEDs under your feet and overhead as you walk along the heavily corridored apartments of the future. All of our houses start as shipping containers in my version. The main character asks the title question and the orb responds “I don’t know how to answer that. “
At any rate, a fun trip in the mind and I hope you enjoyed it.
What do I love about Inkscape? Why am I sharing it? I am committing myself to making one new video a week as part of a series. Each one will explore a different topic that I love, and hopefully effectively convey what I love about it. If you like them, please give them a thumbs-up on YouTube! If you like the series, go ahead and subscribe to the playlist on YouTube for more!
“Learn how to design your own original waveform tattoo with Inkscape, Audacity, and Linux! In this, the first of 52 planned videos for 2016, John LeMasney starts off the “What I love about…” series with a true love of his: Inkscape, the open source vector illustration application. Think Illustrator, but free as in freedom. In order to show his love, he’s going to share how to make your voice into a tattoo using free software like Ubuntu, Inkscape, and Audacity. It’s a fun time, and it would not be the same without you. Music: Chorale Prelude ‘Machs mit mir, Gott, nach deiner Güt’, BWV 957 (Bach, 1880)” found in What I love about… Inkscape! – YouTube at
I want to help people. I typically do this in regards to technology, productivity, or living, but I like talking with people about just about anything. If you think I might be able to help you, please contact me at lemasney@gmail.com or 609 553 9498. I’d love to either help you directly, or help you to get the help that you need – lemasney@gmail.com. Try me!