This is a speed design of a recent poster illustration of George Orwell’s 1984 theme: Big Brother is Watching. I used an octopus and security cameras to illustrate the idea.
big brother is watching (lemasney, 2016)
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“In the essay section of his novel 1985, Anthony Burgess states that Orwell got the idea for the name of Big Brother from advertising billboards for educational correspondence courses from a company called Bennett’s, current during World War II. The original posters showed J. M. Bennett himself: a kindly-looking old man offering guidance and support to would-be students with the phrase “Let me be your father” attached. According to Burgess, after Bennett’s death, his son took over the company, and the posters were replaced with pictures of the son (who looked imposing and stern in contrast to his father’s kindly demeanor) with the text “Let me be your big brother.” Additional speculation from Douglas Kellner of UCLA argued that Big Brother represents Joseph Stalin.[1][2] Another theory is that the inspiration for Big Brother was Brendan Bracken, the Minister of Information until 1945. Orwell worked under Bracken on the BBC’s Indian Service. Bracken was customarily referred to by MOI employees by his initials, B.B., the same initials as the character Big Brother. Orwell also resented the wartime censorship and need to manipulate information which he felt came from the highest levels of the MOI and from Bracken’s office in particular.” curated by lemasney from Big Brother (Nineteen Eighty-Four) – Wikipedia at https://en.wikipedia.org/wiki/Big_Brother_(Nineteen_Eighty-Four)
“In the book The Theory and Practice of Oligarchical Collectivism, read by Winston Smith and purportedly written by Goldstein, Big Brother is referred to as infallible and all-powerful. No-one has ever seen him and there is a reasonable certainty that he will never die. He is simply “the guise in which the Party chooses to exhibit itself to the world”, since the emotions of love, fear and reverence are more easily focused on an individual (if only a face on the hoardings and a voice on the telescreens), than an organisation. When Winston Smith is later arrested, O’Brien repeats that Big Brother will never die. When Smith asks if Big Brother exists, O’Brien describes him as “the embodiment of the Party” and says that he will exist as long as the Party exists. When Winston asks “Does Big Brother exist the same way I do?” (meaning is Big Brother an actual human being), O’Brien replies “You do not exist” (meaning that Smith is now an unperson; an example of doublethink).” curated by lemasney from Big Brother (Nineteen Eighty-Four) – Wikipedia at https://en.wikipedia.org/wiki/Big_Brother_(Nineteen_Eighty-Four)
Culinary knife cuts poster by John LeMasney via lemasney.com
Speed drawing of a nakiri knife.
“Nakiris are double bevel knives designed specifically for working with vegetables. Nakiris are characterized by their flat profiles and squared off tips. This profile makes these knives ideal for push cutting and chopping but awkward for rock cutting. Nakiris are often ground thin to optimize performance and they benefit from a refined cutting edge. A similar design is the traditional single bevel usuba which is also designed specifically for use on vegetables. Nakiri enthusiasts may also want to consider the Chinese cleaver which performs a similar function with a somewhat similar profile.” – Nakiris from http://www.chefknivestogo.com/nakiri-knives.html
“Nakiri bōchō (菜切り包丁, translation: knife for cutting greens) and usuba bōchō (薄刃包丁, thin knife) are Japanese-style vegetable knives. They differ from the deba bōchō in their shape, as they have a straight blade edge suitable for cutting all the way to the cutting board without the need for a horizontal pull or push.[1] These knives are also much thinner. While the deba bōchō is a heavy blade for easy cutting through thin bones, the blade is not suitable for chopping vegetables, as the thicker blade can break the vegetable slice. The nakiri bōchō and the usuba bōchō have a much thinner blade. This does not help with cutting small bones in fish or meat, but is useful for cutting vegetables. Nakiri bōchō are knives for home use, and usually have a black blade. The shape of the nakiri bōchō differs according to the region of origin, with knives in the Tokyo area being rectangular in shape, whereas the knives in the Osaka area are called kamagata nakiri and have a rounded corner on the far blunt side. There are also kamagata usuba. The cutting edge is angled from both sides, called ryōba in Japanese. This makes it easier to cut straight slices. Usuba bōchō are vegetable knives used by professionals. They differ from the Nakiri bōchō in the shape of the cutting edge. While the nakiri bōchō is sharpened from both sides, the usuba bōchō is sharpened only from one side, a style known as kataba in Japanese. The highest quality kataba blades have a slight depression on the flat side. This kataba style edge gives better cuts and allows for the cutting of thinner slices than the ryōba used for nakiri bōchō, but requires more skill to use. The sharpened side is usually the right side for a right hand use of the knife, but knives sharpened on the left side are available for left hand use. The usuba bōchō is heavier than a nakiri bōchō, although still much lighter than a deba bōchō.[2]” – Nakiri bōchō – Wikipedia from https://en.wikipedia.org/wiki/Nakiri_b%C5%8Dch%C5%8D
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This video is a recording of a gathering of birds in December in Virginia. I was surprised by the number and presence. In the video is my son Jack, exclaiming that I should stop capturing this beauty of nature. It’s at a 7 eleven in Waynesboro, VA along Rosser Avenue.
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“Birds migrate to move from areas of low or decreasing resources to areas of high or increasing resources. The two primary resources being sought are food and nesting locations. Birds that nest in the Northern Hemisphere tend to migrate northward in the spring to take advantage of burgeoning insect populations, budding plants and an abundance of nesting locations. As winter approaches and the availability of insects and other food drops, the birds move south again. Escaping the cold is a motivating factor but many species, including hummingbirds, can withstand freezing temperatures as long as an adequate supply of food is available.” – The Basics of Bird Migration: How, Why, and Where | All About Birds from https://www.allaboutbirds.org/the-basics-how-why-and-where-of-bird-migration/
This is a speed design of a social image for my new page (Open Creative Toolkit) at http://bit.ly/2hphHd1 where I describe the software choices I make in my small design business.
open creative toolkit
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“Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (published in paperback as Free Culture: The Nature and Future of Creativity) is a 2004 book by law professor Lawrence Lessig that was released on the Internet under the Creative Commons Attribution/Non-commercial license (by-nc 1.0) on March 25, 2004. This book documents how copyright power has expanded substantially since 1974 in five critical dimensions: duration (from 32 to 95 years), scope (from publishers to virtually everyone), reach (to every view on a computer), control (including “derivative works” defined so broadly that virtually any new content could be sued by some copyright holder as a “derivative work” of something), and concentration and integration of the media industry. It also documents how this industry has successfully used the legal system to limit competition to the major media corporations through legal action against: College students for close to $100 billion, because their improvements of search engines made it easier for people in a university intranet to find copyrighted music placed by others in their “public” folder. Lawyers who advised MP3.com that they had reasonable grounds to believe streaming an MP3 uploaded by a customer only to computers that the customer has logged-in on for the service is legal, and Venture Capitalists who funded Napster. The result is a legal and economic environment that stifles “the Progress of Science and useful Arts”, exactly the opposite of the purpose cited in the US Constitution. It may not be possible today to produce another Mickey Mouse, because many of its early cartoon themes might be considered “derivative works” of some existing copyrighted material (as indicated in the subtitle to the hardback edition and in numerous examples in this book).” curated by lemasney from Free Culture (book) – Wikipedia at https://en.wikipedia.org/wiki/Free_Culture_(book)
I wanted to illustrate what I thought the Google Home might be like in 10 years. I saw it as floating, hovering by way of low-energy drones. The device would be like an eye, always looking, listening, and recording. A disoriented human asks “Okay Google, what year is it?” in wonderment. This design is related to my concept for their future automated car.
open Inkscape, create a circle, duplicate it, add a linear pattern to the topmost dupe, convert to path, shape into a shadow, place over circle, done.
But when I started doing it, to test whether it was just that simple, I was surprised at how many steps were really involved. You have to find the right pattern, you have to try a few on, you have to realize that you can’t easily add color to your patterns. You get some neat benefits though — real, deep calls to pop-based modernism, paying ideological royalties to Warhol’s Brillo Boxen and Jasper Johns’ frisky template based stories. So I decided to take it somewhere. And this post is the result.
What am I doing here?
I wrote ‘To be honest,’ but I loathe when people say that. We may be honest always, but what a stark surprise that would be, and the resulting pain that would potentially be inflicted seems an easily avoidable horror. So here, I’ll offer some harmless honesty: I’m not sure what i am doing here. I want to be productive, create and publish things of value, but I think that the audience has to find the value in you doing what you love, if any value is to be found at all. This may the closest digital alternative we have to Busking, posting on tools like WordPress (or worse yet, Facebook). But today, as I write this, it feels right. This is what I feel I should be doing: Writing about, illustrating, and sharing my experiences and results and insights and outcomes in the hopes of feeding into the collective insight of humanity. I have no idea if anyone will care, or even respond. But maybe. Only by trying will we find out.
Okay Google, so, what year is it?
So I was working on the practice of creating cross hatching in Inkscape, finding the stark contrast of the linear elements a bright, sharp change in my style. I began to make the circle into a kind of orb. The cross hatching became a futuristic fin that both altered direction and provided thrust. Each overlapped circle added a new dimensional layer of electronics or protection, all perfectly interlocking and freely moving.
A pupil and iris emerged. A short story about the future that writes itself in one’s mind resulted. The title of that short story is “Okay Google, what year is it?”, and the orb you see is some nearby year’s equivalent to the amazing Amazon Echo, except it uses quiet drone and magnetic stops technologies to float about your house, answering any question, turning on and off million colored micro LEDs under your feet and overhead as you walk along the heavily corridored apartments of the future. All of our houses start as shipping containers in my version. The main character asks the title question and the orb responds “I don’t know how to answer that. “
At any rate, a fun trip in the mind and I hope you enjoyed it.
Geodesic model for organic home framing cc-by lemasney
https://www.offgridworld.com/tag/cob-house/
I’m ready. I’m changing the way that i choose to live. A few things have happened recently, and I feel as if I have been struck. The weekly video series is no longer being developed, but that is only one small change. Here’s why:
I have given up several addictions, and this is a form of that.
On 2/20/2015, one year and one day ago, I was struck over the head at some point during the night. I was in LA, I was drinking, and I do not know what happened to me. I found myself restrained by police, in a hospital. They told me they found me in the street. I walked back to my hotel, several miles away, and have not drunk since. If I was drinking, none of what follows would be possible.
About a month ago, I gave up e cigarettes. I had smoked cigarettes and cigars in the past, and took up ecigs to escape a daily cigar habit. Several thousand dollars later, I am finally off a 24% nicotine habit.
I have researched and practiced many other forms of balance against addictions, including food and porn, and have learned a lot. As a result, I feel like I am ready to live more simply, in an unconnected way.
I’ve lost faith in media and tech. I want it to change.
I’m a technologist, but I am quickly losing faith in technology. I have seen it create factions (Windows vs. Linux), addictions (porn, gambling, gaming), new false economies (bitcoin). I understand the hypocrisy of using a technology like WordPress, but I don’t feel that technology is inherently bad, but that most people end up using it in bad ways, or more correctly, false ways.
I recently read Ernest Cline’s Novel ‘Ready Player One’. It upset me so – the idea that people would live in a diseased, dismal world, but would spend most of their time inside of virtual reality (VR). VR is making its rounds again as the next big thing. The novel is incredibly possible, and scary to consider as a likely outcome of our trajectory. Huxley’s Brave New World talks about dissolving society and humanity via technology and soma. Orwell has been proved right again and again and again in both Animal Farm and 1984. Their predictions and warnings have been mostly unheeded.
I’ve lost faith in ‘society’. I still love people.
I keep looking at the way that people are asked to live today:
working all the time in jobs that they don’t remotely enjoy.
Finding and emphasizing differences and not celebrating individuality.
Comparisons, ratings, likes, and follows are the only end goal.
Suffering physically, mentally, and ideologically in the effort of having the biggest, best, fastest, newest.
Struggling through stressors to make their means meet their ends.
Giving away money to keep a status quo which often never gets any better.
Striving for convenience over respect for ideas, processes, or outcomes.
The effort towards status, fame, and attention and not anything like universal human kindness or understanding.
Life is hard enough. We have to survive: make and prepare food, be temperate, find joy. I want to do those, and what I’ve concluded is that I need little more than a few acres of land, time, effort, and knowledge and experience.
Recently, in talking with my closest friends, especially those concerned with my announcement, I find myself saying repeatedly: We excreted before there were toilets, we were comfortable before we had central air, we had food before Walmarts, and we had houses before we had lumber mills.
I want to prove it.
I am escaping the traditional dream for a different one.
I’m excited to be learning a lot about a lot of topics to support my plan: Permaculture, technology anthropology, gardening, green housing, cob building, fire making, and so on. It will be difficult, interesting, and experimental. I’m happy that I am fit, sound, and prepared to learn what I need to.
Geodesic model for organic home framing cc-by lemasney
I’m leaving, to the degree that I can. I plan to move to a 3-5 acre plot, set up a tiny homestead with a wood burning stove, a clivus multrum, and a bed, and relearn what it is like to be human on this planet.
I want to remove myself of falsehood and manufactured debt, slavery, and despair. Above is a model of what you can do with well-connected 4 foot sticks and vine in just about every forest I’ve ever stepped foot in. Thatching and mudding are the next step.
I want to live in a little hut in the woods, and occasionally come out for coffee or other things not on my land. On the land, I’ll make art, read, cook, garden, and live. I will possibly use solar power to support some electricity, but that is optional. I may have cellular service to offer some connectivity for emergencies, but that is optional. I will not have plumbing, wiring, electric lights, or other typical amenities.I desperately do not want to drive. I will trade goods for services and services for goods. I will work at farmers markets and schools. I will help people in real, true, obvious ways. I think we all can.
I am scared, for us.
I am thoroughly progressive, politically. I think that the idea that Trump can be elected into an office where he can use nuclear weapons is the scariest idea that has ever been. I thought it was a joke when he first announced he was running, and I think it is a bad joke now. I am retreating from a society that supports anyone like Trump. I am leaving. Ayn Rand’s novel Atlas Shrugged was something I struggled to get through as a twenty something, and I had no idea that it was so conservative at the time because I was not nearly so aware of the imaginary lines we place on things yet. Her ideas there of creators and makers and thinkers simply walking away is a valid solution for me, and I am doing that.
I am actively filtering out that which does not make me better, or worse yet, what burdens me. I love all of you, and I’m not disappearing, though you will likely see a lot less of me after May, 2016. We will see.
